This GRC outer wall, with large-scale, consistent but irregular surface texture, maximum bump reaching 25cm and distinct sculptural style, is by now the first in China. In order to create the naturally carved texture, GRC plates are used for the inner and outer wall, with area reaching 11,000m2. The process of visiting the Museum is also a journey of soul experience. Visitors “look along the journey and feel in the heart” during the visit and their inner world will be sublimated. Visitors then will feel the explosion and unexpected changes of the Revolution the 3rd floor is the highest part of the Museum, with an open terrace at the south side which enables you to look into the whole South Square and the Ziyang Lake and feel the endless glory of the Revolution when it reaches the climax. The whole entrance lobby is located on the gentle slope, creating intentionally the dark governance and the great blood-shed atmosphere before the Revolution walking upwards and entering the 2nd floor, the visitors may feel the hard spiral course of the Revolution the exhibition hall and the outdoor display area introduce the natural light into the indoor space, creating a “there is another unexpected hope” feeling.
Stepping down 5.4m from outside to enter the lobby, the visitors go through the noise-quietness-thoughts spiritual experience. Spatial narration method is used in the design, trying to tell the start, development, climax and end of the special historical event-the Revolution of 1911, to the public through the architectural language. With the outer wall in red and the foundation in black, the building reflects not only the comparison between the “revolution” and “darkness” of the Museum but also the “red” and “black” tone of the classical architecture in the ancient Chu State. The outer wall, with the naturally carved and weathered textures, brings the artistic effect of “breaking through the soil, taking shape naturally” in the architecture and finally creates a profound historic atmosphere. With shapes in sculptural style, the building gives “resolute, steadfast, tall and strong” visual impression. The high-platform big-roof structure perfectly illustrates the “double roof” and the “overhanging eaves” of Chinese architecture the geometrically uprising outer wall implies the first-uprising spirit of “dare to be the first”, the triangular architectural motif brings positive and innovative implication to the architecture, indicating the success of the First Uprising in Wuchang. The Architecture Inherits Regional Cultureġ911 Revolution Museum, with unique outline design, blends the traditional architectural elements of China with the modern architectural features.
With the display of 428 pieces/sets of relics, 694 historic photos, 27 reproduced scenes of significant historical events, 12 pieces of artwork and 20 multimedia exhibits relating to the Revolution of 1911, the Museum demonstrates the historical changes of the revolution and the outstanding achievements of this “republic” foundation of China, in a multi-angle and profound way. The primary exhibits of the Museum-The History of the Revolution of 1911-The Foundation of the Republic, is made up of five parts: China in the late Qing Dynasty, Origin of the Revolution, the First Uprising in Wuchang, the Establishment of the Republic and the Century since 1911.
It is not only the new cultural landmark of Shouyi Square but also an important window for visitors at home and abroad to appreciate the Wuhan culture and feel the charms of Wuhan.
Revit 2011 battered walls for free#
1911 Revolution Museum, with construction, started in August 2009 and finished in September 2011, was open to the public for free since October 2011 and has attracted accumulatively 1,360,000 visitors.
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